It is interesting how differently humans process the exact same input. That is, give a bunch of humans a single scene or thought, and the output will likely be quite different between the humans. What's more interesting is that some humans will actually process the same thing in completely different pathways, which may even be completely opposite to one another.
Amusingly enough, most people are not telepathic and have limited ability to discern what the other is thinking. Therefore, it is entirely possible for them to talk clean past one another and result in some rather damaging misunderstandings. The fun part here is that both (or more) parties will be convinced that the other's responding to one's statement in the same spirit, and it's difficult to ascertain otherwise.
Wednesday, September 28, 2011
Sunday, September 25, 2011
Shallow Professionalism
I am the sort to believe in raw performance in favor of appearance. If one fails to perform, it matters little to me what their personal bearing is like. Which, of course, is why shallow professionalism remains one of my pet peeves. I'd call shallow professionalism the art of appearing to be professional, be it by obvious conduct like constant apparent seriousness, or by appearance by dressing in a particular fashion.
Now, what irks me about it is how many professional-appearing individuals prove to be quite unprofessional in the practical sense. They are not performing their jobs to the best of their abilities simply because they are employed (and paid) to do so. Worst of all, the appearance of professionalism can easily throw off an unschooled supervisor, who may mistake the appearance for the actual performance of professionalism.
Unfortunately, it seems my views are in the power minority when it comes to this matter. The elevation of shallow professionalism to an art form remains to date, and really...not all that many of the people who matter are inclined to evaluate things otherwise. For one, that'd just take too much effort on their part. It may even involve a restructuring of management itself to dedicate resources to true performance evaluation.
Now, what irks me about it is how many professional-appearing individuals prove to be quite unprofessional in the practical sense. They are not performing their jobs to the best of their abilities simply because they are employed (and paid) to do so. Worst of all, the appearance of professionalism can easily throw off an unschooled supervisor, who may mistake the appearance for the actual performance of professionalism.
Unfortunately, it seems my views are in the power minority when it comes to this matter. The elevation of shallow professionalism to an art form remains to date, and really...not all that many of the people who matter are inclined to evaluate things otherwise. For one, that'd just take too much effort on their part. It may even involve a restructuring of management itself to dedicate resources to true performance evaluation.
Sunday, September 18, 2011
Portal 2 Is Quality
I am crazy about Portal 2. Well...not drooling crazy, but crazy enough to play the game straight till 6am on a weekend. That's some good score, for a game that practically screams quality from every game moment. Not only is the game full of references to the goings on from the previous game, it manages to proceed with the kinds of twists and humor that are typical of the original.
From the very beginning, it's clear that the level designers paid very close attention to the principles of level design. The composition of scenes is impeccable, and always informs the user as to what she/he is to do next. If anything, the use of framing in the introduction gives users a very clear idea of exactly what portals are and how they operate. I'd say the intro itself did such a brilliant job of being an introduction, without feeling like a tutorial. Even the first parts of the game felt extremely well crafted, with the sort of dramatic tension that you'd find in good movies. The puzzles are also amazingly well crafted, requiring rather unorthodox solutions most of the time.
So...just how did Valve get something so right? =p
From the very beginning, it's clear that the level designers paid very close attention to the principles of level design. The composition of scenes is impeccable, and always informs the user as to what she/he is to do next. If anything, the use of framing in the introduction gives users a very clear idea of exactly what portals are and how they operate. I'd say the intro itself did such a brilliant job of being an introduction, without feeling like a tutorial. Even the first parts of the game felt extremely well crafted, with the sort of dramatic tension that you'd find in good movies. The puzzles are also amazingly well crafted, requiring rather unorthodox solutions most of the time.
So...just how did Valve get something so right? =p
Thursday, September 15, 2011
Space Marine: Improvements
First things first, I am a fan of the Warhammer 40k universe. As such, I do try very hard to like the Space Marine video game. Unfortunately, try as I might, I cannot not see just how they tried too hard in the wrong areas such that they made a potentially great game merely good.
Now, I am not sure exactly what constraints Game Workshop put on the company, but it seems that they are rather reluctant to engage canon. This is quite unfortunate, seeing as how they're using a well known chapter like the Ultramarines, and pitting it against some random Chaos warband. The first thing I would've done is consider revising the storyline to feature the Space Wolves, and the nasty involvement of the Thousand Sons. As a bonus, it's entirely possible for Magnus the Red to make a guest appearance.
The problem I see is how they've come up with an incredible variety of componentized armor for the different Traitor and Loyalist factions. It bewilders me as to exactly why they'd do that, when the chapters aren't quite featured in the campaign. We see a hint of Blood Ravens and some Dark Templars, perhaps, but little else. Simply put, there's a lot of possible variety in the mediocre multiplayer without popping the content in the campaign. For those who purchased Space Marine as a single player experience, the DLCs would've looked utterly useless.
It would've made sense to save the other content for possible expansions, while focusing on the core storyline as a content source for multiplayer. For example, if the conflict is between the Space Wolves and Thousand Sons, it would've been a small matter to bring in more detailed hierarchies in the campaign, reusing those assets in the context of the multiplayer as well. As a bonus, the weaponry used by the combatants can be iconic of their respective factions. For example, the plasma cannon's charged attack is AOE, which for damage purposes would be identical to virtually any other AOE in the game. Using the damage code, and replacing the plasma special effect with warpfire, it's entirely possible for a Thousand Sons sorceror to fire empyreal bolts. Overall, it would've added a lot of flavor to the overall game.
Focusing on the gameplay, with less on the progression (which is very art heavy), it's possible to dedicate more resources to the core gameplay polish. It would've probably been better to create a flexible system for the armor, but to hold back the asset development for future content. As it stands, having a full armor set for completing the campaign just feels like overkill, since that armor set has absolutely the same stats as every other armor. Moreover, the lack of distinctive faction-specific armors prevents the establishment of significantly different character silhouettes in multiplayer, which adversely affects IFF.
This is not to say that I'm bashing the game outright, since I have no idea why it turned out the way it did, and overall the melee combat is highly satisfying. However, I still reckon that it's entirely possible to have created a more polished gameplay with the exact same resources, securing the user base for the acquisition of future expansions.
Now, I am not sure exactly what constraints Game Workshop put on the company, but it seems that they are rather reluctant to engage canon. This is quite unfortunate, seeing as how they're using a well known chapter like the Ultramarines, and pitting it against some random Chaos warband. The first thing I would've done is consider revising the storyline to feature the Space Wolves, and the nasty involvement of the Thousand Sons. As a bonus, it's entirely possible for Magnus the Red to make a guest appearance.
The problem I see is how they've come up with an incredible variety of componentized armor for the different Traitor and Loyalist factions. It bewilders me as to exactly why they'd do that, when the chapters aren't quite featured in the campaign. We see a hint of Blood Ravens and some Dark Templars, perhaps, but little else. Simply put, there's a lot of possible variety in the mediocre multiplayer without popping the content in the campaign. For those who purchased Space Marine as a single player experience, the DLCs would've looked utterly useless.
It would've made sense to save the other content for possible expansions, while focusing on the core storyline as a content source for multiplayer. For example, if the conflict is between the Space Wolves and Thousand Sons, it would've been a small matter to bring in more detailed hierarchies in the campaign, reusing those assets in the context of the multiplayer as well. As a bonus, the weaponry used by the combatants can be iconic of their respective factions. For example, the plasma cannon's charged attack is AOE, which for damage purposes would be identical to virtually any other AOE in the game. Using the damage code, and replacing the plasma special effect with warpfire, it's entirely possible for a Thousand Sons sorceror to fire empyreal bolts. Overall, it would've added a lot of flavor to the overall game.
Focusing on the gameplay, with less on the progression (which is very art heavy), it's possible to dedicate more resources to the core gameplay polish. It would've probably been better to create a flexible system for the armor, but to hold back the asset development for future content. As it stands, having a full armor set for completing the campaign just feels like overkill, since that armor set has absolutely the same stats as every other armor. Moreover, the lack of distinctive faction-specific armors prevents the establishment of significantly different character silhouettes in multiplayer, which adversely affects IFF.
This is not to say that I'm bashing the game outright, since I have no idea why it turned out the way it did, and overall the melee combat is highly satisfying. However, I still reckon that it's entirely possible to have created a more polished gameplay with the exact same resources, securing the user base for the acquisition of future expansions.
Sunday, September 11, 2011
Focus Good, Forgetfulness Bad
Gona be a short muse post here. Now, in general, it's a good thing to not be absentminded. Here's why: Today, I was making some soup and I noticed that a ladle next to me had a very healthy ant population because it had residual soup on it. Ok fine, time to leave it alone and get a clean one. I can always wash that later.
After which, I started boiling and grabbed a ladle to stir it with. Yup...you guessed it...the one covered in living things. Well, few things beat ant soup. Adds protein to the mix. *flexes*
After which, I started boiling and grabbed a ladle to stir it with. Yup...you guessed it...the one covered in living things. Well, few things beat ant soup. Adds protein to the mix. *flexes*
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